By D. J. Molles
This can be the 5th, never-before-published, novel within the action-packed sequence following specified Forces Captain Lee Harden and a bunch of survivors suffering to outlive whereas rebuilding an the United States devastated through a bacterium that has became ninety% of the inhabitants right into a starving horde.
Through an overpowering typhoon of soreness and adversity Captain Lee Harden has fought and survived. yet his undertaking continues.
Recovering from his wounds, psychological and actual, he needs to rally his partners at Camp Ryder and thrust back opposed to the nonetheless swarming hordes of the contaminated that threaten to extinguish an already devastated society.
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Additional resources for Allegiance (The Remaining, Book 5)
The early and middle novels of Stephen King are informed with this pattern. King is Rousseauistic, depicting good children, corrupt parents, and evil institutions (Magistrale, Landscape 95-97), and a world in which cyclical renewal is necessary. A pattern, as Joseph Reino also notes (2-3), is the lost father who is replaced by a writer-figure and a stopgap culture created out of the "pop" remnants of American culture ('Salem's Lofs Ben Mears, the Losers' Club, whose group therapy and regression serve the same purpose).
5 "The Breathing Method" (Skeleton Crew, 1985), in which a group of men gather periodically to recite tales of the uncanny, is one of King's metaphors for the author's role. Above the fireplace in the library are the words of the toast raised as each tale is begun: "It is the Tale, not he who tells it" (Norden 55). Tales preexist and preclude tellers, who are "authors" only as they subsist within the marketplace. Their work is a matter of conserving culture. King exploits the power of archetypes.
Or 'Hurts! '" ("Not With a Bang"). The aural-acoustical dimension of King's rhetoric extends far beyond the text in an ongoing dialogue with readers and critics (and himself), creating an arena (or, rather, multi-media center) for the writer's public personality. King multiplies himself in prefaces, forewords, introductions, afterwords, and notes that are dog-eared, revered, and intoned by fans. He writes and speaks with the authority or (what is even better) the untutored "common sense" and anti-intellectual humor of the "average man" on nearly everything.
Allegiance (The Remaining, Book 5) by D. J. Molles